Artist’s statement
Tracey Morgan
Te Ātiawa, Ngāti Toarangatira, Ngāti Tama, Ngāti Mutunga
Just as Meaning Carving practitioners have adapted by incorporating synthetic materials into their work due to the scarcity of traditional materials, I too wanted to explore this approach by creating a piece entirely out of synthetic materials.
This shift mirrors the broader challenges we face with the elements. While we understand their essential role in our survival, we are also reminded of their unforgiving power. Yet, in response to these extremes, the indomitable human spirit, our Meaning Spirit prevails.
This exploration into synthetic materials is a reflection of our need to adapt and build a better relationship with the elements, embracing innovation while acknowledging their power and potential for renewal.
Essays
Explore in-depth writing about He Aa I Uta, He Aa I Tai: Weaving the Elements.
Whenu(a), Atua: Returning to Hine-te-iwaiwa through the maternal language of whatu
Dr Hinekura Smith (Te Rarawa, Nga Puhi)
1974 words
The language of weaving resonates deeply with the feminine and maternal body – as long as we use that language.
Ngaa ahuatanga marire mo te koiora - The Elementals essential for life
Ruth Port (Te Rarawa, Te Aupouri)
2950 words
A journey of re-connection and knowledge recovery as a group of weavers unravel long lost techniques used by Māori ancestral sail makers.
